This entry is cross-posted at JWA.
The work of the historian is to not only tell a story, but to tell it in a way that makes it real, vivid, alive, and human for the receiver. I learned this on Monday when I had the privilege of attending the Matrix Awards and hearing Doris Kearns-Goodwin’s acceptance speech. This wisdom instantly struck a chord because it describes exactly why I write and what I want to do with my writing. I want to tell a story that makes someone want to act because when statistics or historical jargon is turned into characters, the process of humanization begins and we start to act.
Here is my revelation from Monday: It is the work of the Jewish feminist to tell a real, vivid, alive, and human story. Why? The lives of Jewish women, while documented in Talmudic footnotes and filed away birth certificates, are not recorded in a way that allows them to be remembered. Judaism is all about storytelling. The Torah – the oldest foundation of Judaism off of which everything else is based – is a book of stories that are beautifully written, intricately woven together, and undoubtedly sexist in a way relevant to the times. We tell stories to remember. What is so enlightened about religion is that it does not matter if what we remember actually happened. What matters is how we remember it and how we share it and let it spread in the creation of tradition, ritual, and community.